Marshall Model 2050 – Professional Modular Mixer Unit

The Marshall Model 2050 is one of the most obscure and intriguing pieces of equipment ever mentioned in a Marshall catalog. Briefly referenced in the Professional P.A. section of the 1972 catalog, the 2050 was identified as a semi-conductor mixer unit designed to integrate with Marshall’s new line of slave amps and horn-loaded cabinets. While little documentation exists beyond this mention, it’s clear that the 2050 was conceived as a modular, expandable live sound mixer—likely a variant or upgrade of the 2030.
Technical Overview (Catalog-Based Inference)
The 2050 was described as:
A semi-conductor mixer, using integrated circuits
Built with modular construction, including:
Replaceable channel modules
Independent Master, Monitor, and Power Supply boards
Available in 9, 12, or 15-channel configurations
Each channel likely featured:
Treble, Middle, Bass, and Volume controls
Possibly individual reverb or monitor send
The master section would have included global tone shaping, volume, and a monitor output, similar to the layout seen on the Model 2030 but scaled for larger input counts and more demanding live applications.
Intended Use and System Integration
The 2050 was designed as the central brain of the Marshall Professional P.A. system, and was meant to be paired with:
Model 2051 – fully transistorized 250-watt slave amplifier
Multiple 2055 speaker cabinets – horn-loaded units for full-range P.A. coverage
Likely compatible with other Marshall slave amps (2031) and cabinets (2029, 2027)
This configuration allowed touring bands and venues to assemble a modular P.A. system with near studio-level flexibility, output power, and channel count.
Construction and Design (Inferred)
While no confirmed photos exist, it likely featured:
Wooden housing covered in black vinyl or textured paint
Gold or brushed-aluminum control panel
Rear-panel breakout for output feeds, slave amp connections, and monitor circuits
Standard Marshall aesthetic trim and handles
The modular board layout would have allowed field-serviceable channel strips—a major innovation for 1972, and a feature now considered standard in professional mixing consoles.
Rarity and Collectibility
very very rare
It may have existed only as a prototype or limited dealer/distributor install item
Units, if produced, were likely custom-built per order
This makes the 2050 one of the most elusive pieces of Marshall gear ever conceived, a theoretical peak in their short-lived venture into modular P.A. mixing.
Appeal to Collectors and Studios
The 2050 would be of immense value to:
P.A. historians and curators
Vintage British audio collectors
Studio designers recreating early modular live rigs
Archivists of post-Plexi era Marshall experimentation
If a 2050 were to surface, it would likely command museum-level attention due to its undocumented status and association with Marshall’s rarest system architecture.
Think you’ve found a Marshall 2050 or something similar?
Scruffs Vintage Guitars is the go-to source for identifying and acquiring ultra-rare Marshall gear from 1962–1974. If you’ve got a mystery mixer or P.A. unit, contact us for expert insight and a serious offer.